lives and works in Copenhagen, Denmark
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influences |
Dad said if Bach makes you
unhappy, you deserve to suffer.
déclaration de l'artiste
As a sign of independence I am trying to
articulate what juxtaposition of the body of art is into an environment, the
whole ethos of painting to me. I think what´s happening is still part of the
whole exclusion process, as the result or a by-product of day-to-day real life
distance from the actual image. Of the impossible and the possible as having a
double life I guess what I am interested in is the quality and the aesthetics of
what remains inside - commonly unspoken themes recently. There is certainly a
kind of multiplication of the exactly the very conscious ideas with the events
and the surroundings of the aspect of arbitrary reaction to a
tradition-conscious medium.
To create an atmospheric experience that could be true to be exhibited, to
question preconceived ideas, undiminished – a paradigm, where process is an
object to deal with and a process – I wish I were innocent about it. Things to
relate accommodate in so far as they always involve the present. The
consequences, even the idea of the past is a temporary one, in conflict with
one’s own work. I can be totally involved in my doings and I always try to kind
of exaggerate the work to act like notions of ambiguity and disorientation
that´s so liberating - including the moment of deception.
© Emil T, July 2013, Copenhagen, Denmark.
